THE AUSTRALIAN Saturday February 28 1976 |
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NEWSMAKERS |
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MELANIE . . . "I now do it the way it happens." |
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MELANIE was wrapped up in boots, a Bedouin wedding dress and a Romanian blouse when she arrived in Melbourne yesterday for her first Australian concert tour. And where was the little girl voice that made her name and a fortune after Alexander Beetle and Brand New Pair of Roller Skates? She hates that image now. "Oh, no, not that again. I can't do that. I now do it the way it happens and comes across," she said. |
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Melbourne SUN-NEWS PICTORIAL 28th February 1976 |
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MELANIE SAFKA, in town for promotion work before starting her Australian tour, has been taking time out to record a new single. She worked from 7pm Tuesday until 2am yesterday on the record, at the TCS Studios in Richmond. She was due back there after the National Music Awards last night. The single is a new song she has written called "Remember Me Good". Melanie will do her first show at Dallas Brooks Hall on March 6. A fourth Melbourne I show is expected to be announced in a few days. |
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Australia, Melbourne Sunday Press
7th March 1976 |
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Woodstock
rain didn't snuff Melanie's light
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WHEN Melanie turned 27 on February 3, 1974,
she celebrated by giving a concert at New York's Metropolitan Opera House. |
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She
performed for more than 2˝ hours and her fans responded with a wave of love
and appreciation, showering her with gifts and, at the finish according her a
standing ovation and clamouring for still more songs, It was a special night
- Melanie returning to her home town
to perform on her birthday - yet the feeling in the concert hall was
familiar. The atmosphere, one critic has called it
"an anarchic level of intimacy," was not unlike that which has been
generated over the past several years in cities across America, in Europe,
Japan, behind the Iron Curtain, in fact wherever Melanie has journeyed on her
way to becoming an artist of international acclaim. Melanie already has captured many of the
industry's major honors, including three gold re- cords, a pair of ASCAP
awards for her songwriting, and designations by both Billboard and Cash Box
as No 1 female vocalist. In 1971. UNICEF paid her a unique tribute
by asking her to serve as its official spokeswoman, an Honor Melanie
responded to by embarking on a 10-nation tour which netted hundreds of
thousands of dollars for the world children's organisation. Melanie Safka was born just across the
river from Manhattan, in the suburb of Astoria, Long Island, on February 3,
1947. Her father. Fred, ran a chain of discount
stores. Her mother. Polly, a former jazz singer, became
Melanie's first musical influence. "I
started writing my own little songs," recalls Melanie, 'mostly
imitations of what I'd hear my mother singing around the house. It wasn't
until I was 13 or 14 that I began to write about things I found in myself.
" |
While
still in high school, Melanie began singing in Greenwich Village coffee
houses, passing the hat for nickels and dimes. Later,
she landed a one-night a week job performing at a Jersey Shore bar, where she
earned what seemed to her a staggering amount - $20 an evening. |
Melanie
did Bob Dylan's "'Mr Tambourine Man", an A. A. Milne poem she had
set to music, and even a rousing "Merry Christmas". It wasn't your
typical first album. Her
follow-up LP, entitled simply "Melanie", shed more light on Melanie
the person. . From the opening track, the defiant "Tuning My
Guitar" to the closing tune, the plaintive "Take Me Home", it
reflected a newfound maturity, even a disillusionment with her burgeoning
career. The LP
also contained "Beautiful People", a song, which has become
something of an anthem among Melanie fans the world over, and the only one
she never fails to sing at a concert. In the
summer of 1969, Melanie was invited to perform at the Woodstock Festival.
Upon getting to the backstage area, she learned that she was to follow Ravi
Shankar, who had . just electrified the audience of several thousand with a
virtuoso display of sitar mastery. To make
matters worse tt had began to rain heavily. Amid prolonged shouting for still
another Shankar encore, Melanie - still relatively unknown - walked out on
the stage. While she
sang and strummed her guitar, flames begun to flicker in the darkness. People
were holding lit candles aloft as signs of solidarity. When
Melanie completed her set, she exited to the roar of a standing ovation. The
following spring, "Lay Down (Candles in the Rain," her celebration
in song of this event was released. It
became a Top 5 single and "Candles in the Rain; " the album which
contained it, matched its success, going on to become an RIAA certified gold
record |
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Fresh
from graduation. ("They gave me a Senior Award for Best Posture. I guess
no one else wanted it! "), Melanie decided-to embark on an acting
career. She
enrolled in the American Academy in Manhattan and began the tedious show
business shuffle known as "making the rounds". One day, quite by
accident, she happened into the office of a music publishing company. Her
songs so impressed Peter Schekeryk, who was employed there, that he guided
her to a recording contract. Her first album, "Born To Be" was
released soon afterwards. "Born
To Be" immediately established Melanie as a: unique talent with
seemingly unlimited potential. Critics
and discerning record buyers alike were drawn to her haunting, fragile voice
which she deployed on maternal of striking originality. The record was a
curious blend of many elements, among them wistfulness, humor, naiveté,
warmth, irony and exuberance. |
Australia, Melbourne SUN 12th
March 1976 |
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Singer
appeals
to a
thief
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TWO valuable necklaces have apparently been
stolen from visiting singer Melanie Safka during her recent visit to
Melbourne. |
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Melanie pictured above wearing one of them, said last night by
phone from Launceston that they were gifts from her husband Peter. "I didn't
really want to Make a story out of it--just want them back," she said. The necklaces, worth thousands of dollars, were last seen when
Melanie arrived in Melbourne |
on Feb.
28. Mr Zev Isaac, who is promoting the tour, said a substantial
reward was offered for their return. One necklace is of heechee shell and turquoise. It is an antique
Indian necklace. The other is also an old Indian necklace made from silver
and turquoise. It has a turquoise figure of a man hanging front it. |
Australia, Melbourne Listener 13th
March 1976
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"Remember
Me Good" - could there be a more apt title for Melanie's
comeback? Here she is at Channel 9 putting down a track for American release. The B side hasn't been decided
yet. |
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MELANIE
BUBBLES AGAIN
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The 'Ruby Tuesday' girl is
glowing again. |
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Melanie Safka, the girl who 'stole' the hit from The Rolling
Stones in I970, is a bubbling re-entry into the pop scene. Melanie bas quietened down during the past two years since the
birth of her two daughters. Leilah and Jeordie. "Well, it was a creative process which took a lot of my
energy - so I had to hive up something." Melanie says. Melanie and her husband - manager Peter Schekeryk are in
Melbourne for her four concerts at the Dallas Brooks Hall. Originally, only two concerts were planned then three and the
fourth was announced during this interview with Melanie at 3XY last week She was ecstatic, to say the least. "It's surprising really, because I haven't got a hit record
on the charts. and that's usually when there's the demand for more concerts.
" said Melanie. "When I was pregnant with my first child. 1 stopped working
because I've always believed that if you're gonna do something properly
you've gotta do it right. " This is the first time Melanie has left the
children while she has been on tour. They arc being looked alter by a nanny back home in the States. 'Melanie has no plans for more children "But I said that
after the first one, so who knows." she says. But she has big plans for her career and her latest LP.
"Sunset And Other Beginnings" has just been released. White in Melbourne she recorded a single in the Channel Nine
recording studio. Now 29, the lady by who made popular "Alexander
Beetle," "Lay I Down" and "Brand New Key" often
thinks of giving it up. "Maybe I've been pregnant too long" Melanie says as a
smile spreads across her plump but beautiful face. "But at this, I've
had a really strong urge to step out of the whole scene" Melanie's final two concerts are at Dallas Brooks Hall on Friday
and Saturday March 12. 13. SALLY McLAREN |
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Australia, Melbourne SUN 19th
March 1976 |
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MELANIE
SAFKA . . . "I had to make a |
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Melanie's back |
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SHE looked lost on stage, despite the angry glare of a hot pink spotlight focused on her face. |
By SUSAN |
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Her guitar hid most of her body as she sat plumply at centre-stage. Her face was covered by reams of long black hair with a slightly ludicrous grey streak on her forehead. Yet Melanie Safka was
compelling listening at her third Melbourne concert, and the audience at the
Dallas Brooks Hall loved every breathy catch, every powerful plea of her
strangely lyrical voice. After the encores, after
her final bows, the fans rushed backstage to touch her, talk to her, seek her
advice. Melanie loved them for
it, and stayed to bask in their adoring gazes. Later, at her hotel, Melanie,
still excited after the show, reached for her guitar and sang some more. " As long as people
want to hear me, Ill keep singing - anywhere and any time; ' she said. Melbourne certainly
wants her. Melanie's two scheduled concerts have been increased to five, and
they've been a sell-out every time. Yet, three years ago, the girl who rocketed to the top of pop,
disappeared, leaving a string of hits behind her such as "Lay.
Down" "Brand New Key'' and "Ruby Tuesday", to keep her
memory alive in the public's mind. Her reason for retiring
was to have a baby then to have another one. When the baby, a girl,
Leilah, arrived in 1973. Melanie was inundated with telegrams, flowers, gifts. When the
second child, another girl, Jeordie, was born in 1975, Melanie received two
telegrams and one bunch of flowers. "That's how I knew
my career was on the decline. No one was interested in me any more. "I knew I would
have to make a comeback this year, or forget about my career altogether; '
Melanie said. "But I've changed.
I take myself less seriously - maybe that's the result of having children. I
used to get frantic if I put on a couple of pounds. Now I think to hell with
it. " She says for the first time in her career, she understands what
she is singing about. |
She was concerned about people living in misery, concerned about the brotherhood of man "We're connected to one another whether we like it or not --concerned about peace in the world. "I believe in ecstasy, believe some people have moments of
divinity and I strive to keep above negativity because we can't escape from
what's around us, even if we don't care about it:' She sipped her champagne,
resplendent in yet another peasant
styled dress: "God forbid that I should stop caring about others. "
Melanie often gives concerts for charity and she hasn't forgotten the years
she slogged away in coffee shops in Greenwich Village earning a meagre
living. But oddly enough, singing was not the career Melanie wanted. She
was determined to be an actress and studied drama at the U. S. Academy of Dramatic Arts. It was while she was on her way to audition in a play called
"In Dark of the Moon", that she met Peter Schekeryk, the man who
first believed Melanie had something in her haunting voice that was star
material. "I was lost, so I asked Peter for directions," . she
said. Peter was a music publisher and according to Melanie he signed
up anybody who looked like a singer whether they were any good or not. "He noticed my guitar and gave me a paper to sign - I
thought he was mad. " "I got the part in the play, but it folded
before it was performed because of lack of funds, so I went back to see Peter
to find our what I'd signed on for. " It was the turning point of her
life. Peter, whom she married eight years ago, arranged a recording session
with a major record company and Melanie recorded "Beautiful People"
which got instant airplay on New York's underground radio stations. "The record didn't sell well, but it was played enough for
me to make a name," Melanie said. She made a name, but no firm image of Melanie followed -- even
after her hits. I've never quite fitted
into any Category y and I wouldn't let anyone press me into a certain image. Melanie's final Melbourne concert will be held on Saturday, March 27, at the Dallas Brooks Hall . . |
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